Colombian artist Doris Salcedo created a long crack in the hallway’s floor.It's a work she calls "Shibboleth."
The Tate explains in museum literature that the crack highlights the world’s [by which she means "Europe's"] legacy of racism and exclusion.Ah, racism and exclusion. Call me old-fashioned, but how is a 550-foot long crack on a museum floor "art"?
This is almost farcical.
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